| Author |
Post |
 |
DeverienTopic: Character Psychology & Philosophy How much work do you folks put into determining a character's psychological and philosophical mindset? And what techniques do you use when writing this sort of material?Using my own FR writing as an example, I noticed that in my first story I was more focused on plot, and really didn't put much thought into the character development. For the most part, all I did in the initial planning stage for the character design was attach a few traits to a character's name and write a sentence or two for their overall agenda. In my second story, the outlining process was a little more extensive; this time I took the time to write a few pages on how each character views the world, themself, each other, and the importance of their different goals from their perspective. Granted, I'm not sure how much of this is actually coming out in my writing, but at least it's a start. I'm interested to hear how other writers deal with character mentality. | #1 Apr 11th 2006, 7:48am . Edited Apr 11th 2006, 7:51am | |
|
 |
J. IdanianFor me, character development is deeply rooted in motivation. Whenever one of my characters is going about their business, I try and put myself into his position, to think, "Why would (name of person) be motivated to do what he/she is doing?" What factors have influenced them through their lives, do they have any personal fears, goals, if so, why, and a lot of things to that effect. I try to get a goodly amount of work into such things, because, to my mind, a large part of good writing is how believable and interestng your characters are. If you are good enough at describing their mindset to a reader, you can have a character who is in no way exception, and yet draws attention. I'm sorry to say I haven't advanced that far yet, but, it's something I aspire to. |
 |
WinterfoxIt's hard to say. When I start off, I have a character sketch in my head that is pretty vague. Simply put, I don't really know what a character will be like until I start writing her. Inter-character dynamics are a big part of it: how characters react to other characters, how others react to them, and so on. But no, I'm afraid I don't really put much work into it in the conventional sense. I just dive in blind and see what happens, because this way, I find, is the most organic and natural for me. |
 |
WitchWolfCrap... How did I manage to miss out this topic for so long? Bah, never mind...Basically, what I think is that the plot and the characters' psychology are unseperable from one another. Meaning, it's the overall events (aka, the crude outline of what happens around the characters regardless of the characters' actions themselves) that dictate the charcters' responses and overall behaviour, which then, in turn, shapes back the aforementioned events. From that perspective, I'd say one can't really have a good "plot" without good character psychology laid out in advance and vice versa, can't really make that pshychology "show" without having a good basic plot as the groundwork. Given the fact that I've been a Pen&Paper maniac for over ten years now, creating extensive character backgrounds, diferent traits and different personalities comes kinda... natural to me now. I can't start writing anything unless I have the characters fleshed out first, so I work on them real hard before tossing them into the story. But that is not to say that a character scetch won't do the trick either. Having just a "vague" outline of a personality at the beggining and then building up on it through the story itself is actually a good way to go about it. Besides, scetched characters, in my experiance at least, tend to develop themselves pretty fast... and often end up demanding the spotlight of their own, but that's my personal boggle, so never mind. ;) As an example, I can mention my lead character from my main story (the one that, btw, passed your "Heroes and Villians Cliche Meters" iwith flying colors, Fox. *chuckle*). I worked on her for months prior to starting the story and as a result, I not only have no problems writing any of her parts of the story, but also, because of the detailed psychological (read: insane) background, everything else falls so nicely into place. Stuff like, I need to get the plot from point A to point B and there woud be no way to make that happen naturally, unless said psycho takes the reins into her own hands. Ok, a pretty confused post on my part. Begging pardon - haven't really slept tonight. |
 |
WitchWolfAnd as for the actual techniques... Well, think I mostly take it from both ends at once. Meaning, on one side, I lay down the crude background events, along the lines of "the character's life story is in short such and such". On the other end, I have a basic general idea about how I want that character acting and being now. And then, in between, I come up with the "soul and mind" of that character. Meaning, if "such and such" thing happened to the character and s/he came out of it being "this and this", then his/her mind must be working somewhere along the lines of "like this".Is this too vague an explanation? I'm doing my best here, but desperately trying not to write about the actual exemplary character... might be a bit easier to expalin on the exact example, but I don't want this to look like a simple advertisement. Heck, when I want to advertise, I come right out and blatantly pimp myself. ;) |
 |
WinterfoxFrom that perspective, I'd say one can't really have a good "plot" without good character psychology laid out in advance and vice versa, can't really make that pshychology "show" without having a good basic plot as the groundwork.I disagree. There are people who can't and don't use outlines -- nothing laid out in advance at all apart from a vague idea of beginning, middle and end (if that!), let alone individual characters' psyche. Detailed outlines are great and all that, but for some people it just doesn't work. The non-outlined approach is not inferior, merely different. |
 |
WitchWolfThere are people who can't and don't use outlines -- nothing laid out in advance at all apart from a vague idea of beginning, middle and end (if that!), let alone individual characters' psyche.Mhmmmm.... Think I can see what you mean. Gave myself a day or two to think about this whole issue again and, in the end, I can't deny what you're saying here. And for the record, I never said that going with just a scetch, outline, callitwhatyouwill is in any way inferior to the fully detailed outline. For all my bragging, I, too, have a dozen or so characters who start out as barely more then a scratch in my little brain. ;) But whatever approach you choose, both times the quality of the end product (aka, a well-rounded character) largely depends on the writer's capabilities of good characterization. In other words, those who are poor at it can write three pages long drafts and still come up with nothing more then another generic Sue; conversly, those who are good at characterization as such don't really need anything more then a basic idea to work with and still come up with interesting and deep personalities in their works. Personally, I find it easier to do a detailed personality analysys for the lead characters because they are the ones who get most of the spotlight and if I have them all figured out in advance, I don't fret (too much) that I'll write them "off" in some crutial situations. On the other hand, though, I did notice that sometimes, those characters who didn't recieve so much attention from me at first tend to "write themselves" more smoothly and easily precicely because I don't have them written down in detail. In the end, I guess it all depends on several factors combined: the writer's preference, the writer's skill in proper characterization and the very characters the writer's working with. Laslty, what Deverien asked up there was, among other things, what exact techniques are people using for character creation, and I, too, would love to hear some concrete examples... if anyone could be bothered to offer some. |
 |
DeverienI normally start out with a very narrow point, like the usual FR alignments (you know, Lawful Neutral, Chaotic Good, etc). Naturally, I only see these as starting points; by no means should a character be forced to always adhere to them. They're just arbitrary labels to give a vague sense of their mindset. I also keep in mind that these are subjective viewpoints, and certainly not absolute (i.e. I currently have a character who would see herself as Lawful Good, but another character sees her as being closer to Neutral Evil).Things go in different directions after that. Sometimes I'll start spontaneously molding a character's thought processes as I write and develop them. Other times, I plan out a backstory that would logically lead them to their current beliefs and state of mind in the story (I also try to directly integrate this into the plot). For a few, I steal a certain psychological viewpoint or system of belief that I've read about in real life (social darwinism, for example) and see if I can apply it to a character or modify it to fit the world of the story. | #8 Jun 27th 2006, 1:30pm . Edited Jun 27th 2006, 1:36pm | |
|
 |
Surreptitious Chi XI'm no help. ;p I do it without thinking, by intuition. I mean, I go, okay, say they're a real person. Who are they? What do they say? What do they do? Are they happy? Sad? Angry? *shrug* |
 |
BluestofangelsWhen writing and creating a character I often times consider people they resemble. I often times base a character loosely off someone or several people I know. The factors I consider for a character after that initial draft are setting, the experiences of the characters, goals of the plot, and goals of character development.Shortly, while they may still resemble the person in some way, the character created becomes very much an individual in my eyes. -BoA. | #10 Jul 30th 2007, 10:30am | |
|
|